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Series Fantasy ages 3–6

Zog

Part of the collectionJulia Donaldson
Bestseller listBbc adaptationMerchandise
Adult crossoverGrows with the reader

Best for 3–6s, Donaldson/Scheffler doing what they do, with a sweeter, more domestic register than the Gruffalo.

  • Books2 / 2
  • Arcs1
  • Span2016–2017
  • StatusComplete
Start hereZogBook 1 · 2016 · the natural entry to the series
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The series

At a glance.

Two picture books about Zog, a kindly but accident-prone young dragon, also illustrated by Axel Scheffler. Zog (2010) covers Zog's first year of dragon school; Zog and the Flying Doctors (2016) follows up with Princess Pearl and a small flying medical team. Tightly rhymed and structured around small repeating refrains; pitched at the same 3–6 audience as the Gruffalo books.

Best for 3–6s, Donaldson/Scheffler doing what they do, with a sweeter, more domestic register than the Gruffalo.

Primary themes

Overall tone

  • Warm
  • Funny
  • Gentle
  • Whimsical
Reading order

Read in order; Zog first.

One arc

The shape of the series.

  1. I
    Narrative arcLow sensitivity

    Zog's two books

    Zog at dragon school; Zog and Princess Pearl as flying doctors.

    Two-book arc: the first establishes Zog's character and his year at dragon school; the second follows Princess Pearl into medicine. The two books reward back-to-back reading.

    Best fit

    3–6

    Reads as

    • Warm
    • Funny
    • Gentle
    • Whimsical

Fit check

Right for your reader?

Where the series lands by age

  • 1
  • 3
  • 5
  • 7
  • 9
  • 11
  • 13
  • 15
  • 17
  • 19
  • Best fit · 3–6
  • Read aloud · 2–6
  • Independent · 5–7

Reluctant-reader friendliness

Very high

Read-aloud quality

Excellent

Adult crossover

High

Grows with the reader

Designed to

Sensitivity envelope

Low overall, and consistent.

LowSeries-level

In the same universe

Sister series.

About the author

Julia Donaldson.

Julia Donaldson

Author

Julia Donaldson: writer of The Gruffalo, Room on the Broom and Stick Man — the rhyming picture-book engine of British childhood for the last twenty-five years, almost always with Axel Scheffler on art.

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