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Cover of Revolting Rhymes
Poetry · ages 6–10

Revolting Rhymes

Written by Roald Dahl · Illustrated by Quentin Blake

Part of the Roald Dahl universeOpen the collection

Canonical classicBbc adaptationBestseller list
Top giftableAdults love it tooEndlessly rereadable

Dahl's twisted fairy-tale verse collection is sharp, funny and superb aloud. It is a strong recommendation for children who know traditional tales and enjoy seeing them rudely, darkly and hilariously upended.

  • Best for6–10
  • FormatPoetry
  • Length80 pp
  • Read aloud~32 min
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The vibe

What it’s like.

Style

  • Rhyming
  • Comedic
  • Literary
  • Repetitive

Tone

  • Funny
  • Irreverent
  • Dark
  • Absurdist
  • Silly

Themes

On the pagetwisted fairy tales, rhyming verse, fairy tale parody, cinderella, little red riding hood, comic violence, three little pigs, snow white

Experience meters

Energy5/ 5
Humour5/ 5
Scariness3/ 5
Peril3/ 5
Wonder3/ 5
Cosiness2/ 5
Emotional intensity2/ 5
Conceptual intensity2/ 5

What’s it about?

The story.

Revolting Rhymes retells six familiar fairy tales in Dahl's unmistakable comic voice. Cinderella, Jack and the Beanstalk, Snow White, Goldilocks, Little Red Riding Hood and The Three Little Pigs all appear, but none behave quite as expected. These are not soft nursery retellings: Dahl's versions are cheeky, violent, subversive and full of surprise endings. Quentin Blake's illustrations help keep the tone comic, while the rhyming verse makes the collection excellent for reading aloud. The book is particularly useful for children who already know the original stories and can enjoy the joke of seeing them turned upside down. It is also a good poetry gateway because the rhythm is immediate and funny. Sensitivity is moderate because some poems include comic violence, guns, death and deliberately shocking reversals.

Fit check

Right for your child?

Where it lands by age

  • 1
  • 3
  • 5
  • 7
  • 9
  • 11
  • 13
  • Best fit · 6–10
  • Read aloud · 5–10
  • Independent · 7–10

Prose load

Light

Visual support

Moderate

Reluctant-reader friendly

Very

Read-aloud quality

Excellent

Works well for

  • Reading aloud
  • Gift-buying
  • Reluctant readers
Moderate sensitivity3 content warnings

Preview before sharing if a child is sensitive to: violence, scary imagery, death of character.

Bedtime suitability

2 / 5 · Better outside bedtime

Sensitive-child

3 / 5 · Mostly fine

Graphic intensity

2 / 5 · Mild

Best for

  • Twisted fairy tales
  • Rhyming read aloud
  • Funny poetry
  • Dark humour
  • Short burst reading

Avoid if

  • Sensitive to comic violence
  • Wants gentle fairy tales
  • Prefers sincere retellings
  • Sensitive to weapons

Particularly good for children who are…

  • Reluctant reader
  • Struggling with reading

In the classroom

How it works in school.

Roald Dahl's wickedly funny rhyming fairy-tale parodies — a riotous performance and read-aloud collection, and a great hook into poetry and traditional tales.

Classroom role

  • Poetry and performance
  • Read aloud
  • Classroom library

A book children love that happens to support school — never a stand-in for the texts a class is taught with. Reviewed for the classroom · June 2026.

Why it lands

Why they love it.

Why kids love it

The specific kick is the wrong endings — every fairy tale a seven-year-old already knows, told again with the wolf shot, the prince ditched, the pigs armed. A child gets the satisfaction of being smug about the original version while laughing at the better one. The poetry book most often quoted back at parents.

  • Trickery and cleverness
  • Breaking the rules safely
  • Revenge on adults
  • The underdog winning
  • Making a difference

Why parents love it

The Dahl most parents discover surprises them — the rhyming meter is genuinely tight, the subversion lands, and the book reads aloud at family-Christmas energy. Best for a child who knows the original fairy tales well enough to feel the joke. Quentin Blake's illustrations carry the comic violence into safe territory.

  • Great writing
  • Shared humour
  • Quick to read
  • Beloved classic

About the creators

About the creators.

RD

Roald Dahl

Writer · United Kingdom · b. 1916

Roald Dahl (1916–1990) was a British author of subversive, darkly funny children's books that have sold over 300 million copies worldwide and remain anchored to virtually every UK primary-school bookshelf. Born in Wales to Norwegian parents, Dahl flew Hawker Hurricanes for the RAF in WWII before turning to fiction. His children's titles, Charlie and the Chocolate Factory, Matilda, The BFG, James and the Giant Peach, The Witches, Fantastic Mr Fox, The Twits, Danny the Champion of the World, George's Marvellous Medicine, share a distinctive sensibility: plucky child heroes, grotesque adult villains, comic-grim peril, sudden cruelty, and final justice. Almost all are illustrated by Quentin Blake, and the joint output is generationally inseparable. The benchmark canonical-classic British children's author of the twentieth century.

More from Roald Dahl
QB

Quentin Blake

Illustrator · United Kingdom · b. 1932

Sir Quentin Blake is a British illustrator born in 1932, one of the defining visual voices in modern children's books and the first Children's Laureate (1999–2001). He is most famous as the illustrator of Roald Dahl's children's books (The BFG, Matilda, The Twits, Fantastic Mr Fox, The Witches), their joint output is generationally inseparable. Blake also writes and illustrates his own picture books: Mister Magnolia, Mrs Armitage on Wheels, Clown, All Join In, Zagazoo. His linework is loose, scratchy, immediate, and deceptively expressive, a visual register that has become synonymous with Dahl's voice and with a particular flavour of warm-but-anarchic British children's publishing. Knighted in 2013 for services to illustration.

More from Quentin Blake

If you liked this

Three ways out of this book.

If you liked this, try…

Lateral matches. Same shelf, different texture.

Come into this from…

Easier or preparing reads — perfect lead-ins.

Where to go next…

Escalation reads — a step up in scale, silliness, or stakes.

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Last reviewed · May 2026Suggest a correctionHow we recommend

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