One More BookFind a book
Cover of Cicada
Picture · ages 10–15

Cicada

Written and illustrated by Shaun Tan

Part of the Shaun Tan universeOpen the collection

Top giftableAdults love it tooEndlessly rereadable

A bleak, brilliant picture-book fable for older readers about an exploited office worker who is ignored until transformation becomes possible.

  • Best for10–15
  • FormatPicture
  • Length32 pp
  • Read aloud~6 min
Save to a listFind similar books

The vibe

What it’s like.

Style

  • Repetitive
  • Literary

Tone

  • Dark
  • Melancholic
  • Thought provoking
  • Bittersweet
  • Absurdist

Themes

On the pagesocial allegory, office work, workplace exploitation, cicada, alienation, grey office tower, transformation, prejudice

Experience meters

Energy1/ 5
Humour2/ 5
Scariness5/ 5
Peril1/ 5
Wonder4/ 5
Cosiness1/ 5
Emotional intensity5/ 5
Conceptual intensity5/ 5

What’s it about?

The story.

Cicada works in a grey office tower, doing data entry for humans who ignore him, underpay him and deny him basic dignity. The text is stark and repetitive, matching the drudgery of his work, while the images make the office world feel cold, brutal and absurd. For much of the book, Cicada is almost unbearably diminished: segregated, dismissed, made to feel less than everyone around him. Then, at the end of his working life, the story shifts into something stranger, greener and more transformative. Cicada is a short book, but its themes are mature: exploitation, prejudice, workplace cruelty, alienation, endurance and release. It is best used with older children, teens or adults who can handle symbolic darkness and discuss what the story is doing. It is not cosy, but it is unforgettable.

Fit check

Right for your child?

Where it lands by age

  • 1
  • 3
  • 5
  • 7
  • 9
  • 11
  • 13
  • Best fit · 10–15
  • Read aloud · 9–14
  • Independent · 10–15

Prose load

Light

Visual support

Very high

Reluctant-reader friendly

Tougher fit

Read-aloud quality

Workable

Works well for

  • Reading together
  • Gift-buying
High sensitivity5 content warnings

Preview before sharing if a child is sensitive to: bullying, mental health, racism or discrimination, scary imagery, violence.

Bedtime suitability

1 / 5 · Wide awake

Sensitive-child

1 / 5 · Tough fit

Graphic intensity

5 / 5 · Intense

Best for

  • Older picture book
  • Social allegory
  • Workplace satire
  • Visual literature
  • Transformation

Avoid if

  • Young preschoolers
  • Very sensitive to bullying
  • Needs comfort reading

Particularly good for children who are…

  • Being bullied
  • Low self esteem
  • Anxiety and worry

In the classroom

How it works in school.

Shaun Tan's spare, haunting fable about an overlooked office worker — a powerful discussion and inference text for older readers about dignity and belonging.

Classroom role

  • Discussion and empathy
  • Writing inspiration

Good for teaching

  • Theme
  • Inference
  • Authorial intent

A book children love that happens to support school — never a stand-in for the texts a class is taught with. Reviewed for the classroom · June 2026.

Why it lands

Why they love it.

Why kids love it

The specific weight is workplace cruelty — Cicada the insect doing data entry in a grey office tower, ignored and underpaid by humans who treat him as less than them, the bleakness sustained until the very end when something extraordinary happens. A teen reader gets one of the most quietly devastating picture books ever made.

  • Transformation
  • Making a difference
  • Surviving danger

Why parents love it

The Shaun Tan picture book for older children — exploitation, prejudice and endurance handled as a short, stark fable, then the final transformation that reframes everything. Not a cosy bedtime read; the kind of book best discussed afterwards. For ten-plus, ideally with an adult.

  • Conversation starter
  • Beautiful illustrations
  • Great writing
  • Educational for adult too

About the author & illustrator

Shaun Tan.

ST

Shaun Tan

Writer & illustrator · Australia · b. 1974

Shaun Tan is an Australian author-illustrator born in 1974 in Perth, whose visually extraordinary books sit at the boundary between picture book and gallery art. Best known for The Arrival (2006), a wordless graphic novel about migration, told in sepia-toned dreamlike imagery that has become one of the most-taught picture books in secondary-school English curricula, plus The Red Tree, The Lost Thing, Tales from Outer Suburbia, and Rules of Summer. Tan's work is melancholy, surreal, technically virtuosic, and not always conventionally child-facing; many of his books are read more by older children, teens and adults than by the picture-book audience. Academy Award winner (The Lost Thing animated short). A genuine art-book picture-book maker.

More from Shaun Tan

If you liked this

Three ways out of this book.

If you liked this, try…

Lateral matches. Same shelf, different texture.

Come into this from…

Easier or preparing reads — perfect lead-ins.

Where to go next…

Escalation reads — a step up in scale, silliness, or stakes.

Cover of Tales from Outer Suburbia
Tales from Outer Suburbia

by Shaun Tan

Tales from the Inner City
Shaun Tan
Tales from the Inner City

by Shaun Tan

Animal Farm
George Orwell
Animal Farm

by George Orwell

Buy or borrow

Pick up a copy.

  • Bookshop.org
  • Waterstones
  • Amazon UK
  • Hive
Find it at your local library →

When you buy through the links above, we may earn a small commission — it never costs you more, and it never changes the books we choose. How we’re funded →

Last reviewed · April 2026Suggest a correctionHow we recommend

More ways to wander the room