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Cover of The Arrival
Graphic · ages 9–14

The Arrival

Written and illustrated by Shaun Tan

Part of the Shaun Tan universeOpen the collection

Top giftableAdults love it tooEndlessly rereadable

A landmark wordless graphic novel about migration, separation and finding your way in a strange new world.

  • Best for9–14
  • FormatGraphic
  • Length128 pp
  • Read aloud~1 hr
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The vibe

What it’s like.

Tone

  • Melancholic
  • Thought provoking
  • Bittersweet
  • Inspirational
  • Whimsical

Themes

On the pagestrange new country, silent graphic novel, wordless storytelling, migration, family separation, visual metaphor, belonging, invented language

Experience meters

Energy1/ 5
Humour1/ 5
Scariness5/ 5
Peril3/ 5
Wonder5/ 5
Cosiness2/ 5
Emotional intensity5/ 5
Conceptual intensity5/ 5

What’s it about?

The story.

The Arrival follows a father who leaves his family and travels to a strange new country, hoping to build a safer life before they can join him. There are no words: the entire story is told through sepia-toned images, invented alphabets, unfamiliar creatures, dreamlike machinery and silent sequences of memory, fear, work and kindness. Shaun Tan makes the migrant experience feel emotionally immediate by refusing to make the new world fully readable; the reader has to feel the confusion, wonder and loneliness of arrival alongside the protagonist. The book is beautiful, humane and sophisticated, with enough narrative clarity for children but enough visual and symbolic depth for adults. It is best for readers who can sit with ambiguity and emotion, and it is especially valuable for conversations about refugees, migration, family separation and welcome.

Fit check

Right for your child?

Where it lands by age

  • 1
  • 3
  • 5
  • 7
  • 9
  • 11
  • 13
  • Best fit · 9–14
  • Read aloud · 8–14
  • Independent · 9–14

Prose load

Light

Visual support

Very high

Reluctant-reader friendly

Workable

Read-aloud quality

Workable

Works well for

  • Gift-buying
High sensitivity4 content warnings

Preview before sharing if a child is sensitive to: absent parent, poverty or hardship, scary imagery, violence.

Bedtime suitability

2 / 5 · Better outside bedtime

Sensitive-child

1 / 5 · Tough fit

Graphic intensity

5 / 5 · Intense

Best for

  • Wordless graphic novel
  • Migration
  • Visual literacy
  • Older picture book
  • Adult appeal

Avoid if

  • Needs light bedtime story
  • Prefers text led books
  • Very sensitive to family separation

Particularly good for children who are…

  • Immigration or new country
  • Reluctant reader
  • Single parent family

In the classroom

How it works in school.

A wordless graphic novel and a powerful springboard for empathy and talk about migration and belonging; the invented world rewards inference and discussion of the author's choices.

Classroom role

  • Discussion and empathy
  • Topic companion
  • Writing inspiration

Good for teaching

  • Inference
  • Theme
  • Authorial intent

A book children love that happens to support school — never a stand-in for the texts a class is taught with. Reviewed for the classroom · June 2026.

Why it lands

Why they love it.

Why kids love it

The specific weight is migration without words — a father leaving his family, arriving in a strange country with invented alphabets and dreamlike machinery, the bewilderment given pictorial form. The wordless graphic novel that makes a child feel what a refugee feels.

  • Secret world
  • Family belonging
  • Making a difference

Why parents love it

The Shaun Tan modern classic — sepia-toned wordless graphic novel on migration, the strange new world rendered as actually strange. Profound on refugee experience; useful for any age that can sit with images. Beautiful, demanding, unforgettable.

  • Beautiful illustrations
  • Conversation starter
  • Great writing
  • Educational for adult too

About the author & illustrator

Shaun Tan.

ST

Shaun Tan

Writer & illustrator · Australia · b. 1974

Shaun Tan is an Australian author-illustrator born in 1974 in Perth, whose visually extraordinary books sit at the boundary between picture book and gallery art. Best known for The Arrival (2006), a wordless graphic novel about migration, told in sepia-toned dreamlike imagery that has become one of the most-taught picture books in secondary-school English curricula, plus The Red Tree, The Lost Thing, Tales from Outer Suburbia, and Rules of Summer. Tan's work is melancholy, surreal, technically virtuosic, and not always conventionally child-facing; many of his books are read more by older children, teens and adults than by the picture-book audience. Academy Award winner (The Lost Thing animated short). A genuine art-book picture-book maker.

More from Shaun Tan

If you liked this

Three ways out of this book.

If you liked this, try…

Lateral matches. Same shelf, different texture.

Come into this from…

Easier or preparing reads — perfect lead-ins.

Where to go next…

Escalation reads — a step up in scale, silliness, or stakes.

Where you’ll find it

On these reading lists.

Buy or borrow

Pick up a copy.

  • Bookshop.org
  • Waterstones
  • Amazon UK
  • Hive
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Last reviewed · April 2026Suggest a correctionHow we recommend

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