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Cover of The Space We're In
Chapter · ages 10–14

The Space We're In

Written by Katya Balen · Illustrated by Laura Carlin

Top giftableAdults love it too

A sensitive, emotionally demanding middle-grade novel about a boy learning to understand his autistic younger brother and his own anger. Strong for empathy and sibling relationships, but best for readers ready for complex family feelings.

  • Best for10–14
  • FormatChapter
  • Length304 pp
  • Read aloud~9 hr5 min
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The vibe

What it’s like.

Style

  • Literary
  • Conversational

Tone

  • Bittersweet
  • Melancholic
  • Thought provoking
  • Warm
  • Heartwarming

Themes

On the pagebrother relationship, neurodiversity, sibling resentment, autistic sibling, empathy building, guilt and love, family stress, space interest

Experience meters

Energy1/ 5
Humour1/ 5
Scariness1/ 5
Peril1/ 5
Wonder2/ 5
Cosiness2/ 5
Emotional intensity5/ 5
Conceptual intensity5/ 5

What’s it about?

The story.

Frank loves space and wants life to make sense in clear, ordered ways. His younger brother Max is autistic, and Frank struggles with the noise, disruption and attention Max brings into family life. At times Frank is loving; at other times he is resentful, embarrassed and angry. Katya Balen writes the sibling relationship with honesty, refusing to make Frank unrealistically patient or Max a lesson. Laura Carlin's illustrations support the emotional and visual texture of the book, but the main experience is prose-led. The Space We're In is valuable because it gives children a way into complicated sibling feelings, neurodiversity, empathy and guilt without simplifying them. It should be recommended thoughtfully: it is compassionate and strong, but emotionally intense for readers living similar family dynamics.

Fit check

Right for your child?

Where it lands by age

  • 1
  • 3
  • 5
  • 7
  • 9
  • 11
  • 13
  • Best fit · 10–14
  • Read aloud · 10–14
  • Independent · 10–14

Prose load

Heavy

Visual support

Low

Reluctant-reader friendly

Workable

Read-aloud quality

Strong

Works well for

  • Reading aloud
  • Gift-buying
Moderate sensitivity2 content warnings

Preview before sharing if a child is sensitive to: illness or disability, mental health.

Bedtime suitability

2 / 5 · Better outside bedtime

Sensitive-child

2 / 5 · Use judgement

Graphic intensity

1 / 5 · None

Best for

  • Autism representation
  • Sibling relationship
  • Empathy
  • Family realism
  • Literary middle grade

Avoid if

  • Sensitive to sibling conflict
  • Wants light adventure
  • Under 10
  • Prefers low emotional intensity

Particularly good for children who are…

  • Neurodiversity or learning differences
  • Anger management
  • Anxiety and worry
  • Interested in science
  • Low self esteem
  • New sibling

In the classroom

How it works in school.

A moving novel about a boy, his autistic brother and a family's grief — a powerful class and discussion read about love, difference and loss.

Classroom role

  • Discussion and empathy
  • Read aloud
  • Classroom library

Good for teaching

  • Theme
  • Character motivation

A book children love that happens to support school — never a stand-in for the texts a class is taught with. Reviewed for the classroom · June 2026.

Why it lands

Why they love it.

Why kids love it

The specific weight is the love-and-the-resentment co-existing — Frank wanting life to make sense in clean ordered space-shaped ways, his autistic brother Max disrupting all of it, Frank loving and embarrassed and angry all at the same time. The Katya Balen on sibling honesty without simplifying.

  • Being understood finally
  • Family belonging
  • Making a difference

Why parents love it

The Balen sibling-and-neurodiversity novel — Frank not unrealistically patient, Max never a lesson, the emotional intensity matched by Laura Carlin's illustrations. Compassionate and strong. Best for readers ready for complex family feelings; especially powerful for households living similar dynamics.

  • Conversation starter
  • Great writing
  • Educational for adult too
  • Cultural representation

About the creators

About the creators.

KB

Katya Balen

Writer · United Kingdom

Katya Balen is a British author who has rapidly become one of the most acclaimed contemporary UK middle-grade voices. Best known for The Space We're In (2019), October, October (2020, Carnegie Medal), The Light in Everything, Foxlight, and Birdsong. Balen's voice is precise, lyrical, emotionally serious without being heavy, often centring children with neurodivergence, sibling loss or unusual family setups. Her novels have a Tom's Midnight Garden / Holes literary register. A core contemporary UK middle-grade author for ages 9–12, particularly for readers ready for emotionally substantial single-volume novels.

More from Katya Balen
LC

Laura Carlin

Illustrator · United Kingdom

Laura Carlin is a British illustrator best known for The Promise (with Nicola Davies on text) and her illustrations on Katya Balen's The Space We're In and a range of other literary picture books and middle-grade novels. Carlin's style is loose, painterly, slightly raw, closer to children's-art-made-by-a-grown-up than to slick mainstream picture-book illustration, with strong emotional precision. Multiple BookTrust and CILIP honours. A reliable visual signal of art-led, emotionally serious children's books for ages 5–11 in the gentle-literary register.

More from Laura Carlin

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Last reviewed · May 2026Suggest a correctionHow we recommend

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