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Series Comedy ages 3–7

The Crayons

Part of the collectionThe Crayons
Canonical classicBestseller listMajor award winner
Adult crossover

Best for read-aloud comedy, character voices, colour play and children who enjoy books built around funny complaints.

  • Books3 / 3
  • Arcs1
  • Span2013–2023
  • StatusOngoing
Start hereThe Day the Crayons QuitBook 1 · 2013 · the natural entry to the series
Open

The series

At a glance.

The Crayons is Drew Daywalt and Oliver Jeffers' picture-book series beginning with The Day the Crayons Quit, where Duncan receives letters from his frustrated crayons. The Day the Crayons Came Home then widens the joke into postcards from lost, broken or abandoned crayons, while Happy Birthday, The Crayons! offers a more celebratory follow-up. The books are very strong aloud because each crayon has a distinct comic voice, and the artwork makes the emotional exaggeration immediately clear. They work for preschoolers as comedy and for older children as a gentle lesson in perspective-taking.

Best for read-aloud comedy, character voices, colour play and children who enjoy books built around funny complaints.

Primary themes

Overall tone

  • Funny
  • Silly
  • Warm
Reading order

Read The Day the Crayons Quit first. The Day the Crayons Came Home works best once children understand the crayon personalities and the letter/postcard format.

One arc

The shape of the series.

  1. I
    Standalone collection arcBooks 1–3 · 2013–2015Low sensitivity

    The crayons speak up

    Three picture books about crayons with opinions, complaints, homesickness, celebration and strong comic voices.

    The Crayons works as one standalone comic collection rather than a plot-progressive series. The Day the Crayons Quit is the essential entry, built around crayon complaints and the comic justice of each colour getting its say. The Day the Crayons Came Home expands the format through postcards and lost-object absurdity, while Happy Birthday, The Crayons! keeps the ensemble in a lighter celebratory mode. The series is low sensitivity, with conflict handled through humour and letter-writing rather than threat. Its strongest value is helping children enjoy different perspectives while laughing at the sheer bossiness of stationery.

    Best fit

    3–7read-aloud 3–8

    Reads as

    • Funny
    • Silly
    • Warm

Fit check

Right for your reader?

Where the series lands by age

  • 1
  • 3
  • 5
  • 7
  • 9
  • 11
  • 13
  • 15
  • 17
  • 19
  • Best fit · 3–7
  • Read aloud · 3–8
  • Independent · 6–8

Reluctant-reader friendliness

High

Read-aloud quality

Excellent

Adult crossover

High

Grows with the reader

Not especially

Sensitivity envelope

Low overall, and consistent.

LowSeries-level

Where it sits

In conversation with other series.

Similar in feel

Different shelves, same wavelength.

Read this after

Series that pick up where The Crayons leaves off.

About the author

Drew Daywalt.

Drew Daywalt

Author

Drew Daywalt: American author of The Day the Crayons Quit and its sequels (with Oliver Jeffers on art) — the high-concept picture-book series about colour, voice and identity that's become a near-universal gift-shelf staple.

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