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Cover of The Day the Crayons Came Home
Picture · ages 3–7

The Day the Crayons Came Home

Written by Drew Daywalt · Illustrated by Oliver Jeffers

Book 2 of 3 in The CrayonsView the full series

Bestseller list

While Duncan's first box of crayons went on strike, these ones got lost, and they've been sending postcards to make sure he knows exactly how abandoned they feel. Every bit as funny as the original, and with a slightly more emotional edge as the crayons plead their cases from various unfortunate locations.

  • Best for3–7
  • FormatPicture
  • Length48 pp
  • Read aloud~10 min
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The vibe

What it’s like.

Style

  • Epistolary
  • Conversational
  • Comedic

Tone

  • Funny
  • Silly
  • Warm
  • Irreverent
  • Absurdist
  • Thought provoking

Themes

On the pagepostcard, colour, crayon, lost and found, complaint, drawing

Experience meters

Energy4/ 5
Humour5/ 5
Scariness1/ 5
Peril1/ 5
Wonder3/ 5
Cosiness3/ 5
Emotional intensity2/ 5
Conceptual intensity3/ 5

What’s it about?

The story.

This time the crayons haven't quit, they've gone missing. Each one has been lost or left behind somewhere (Maroon under the sofa, Glow-in-the-Dark at the bottom of a bag, Pea Green somewhere Duncan has never even looked), and every one of them has sent a postcard to let Duncan know how they feel about it. The format shifts from letters to postcards, shorter messages, more urgent, and each one rendered in Jeffers' deadpan comic style on an illustrated postcard complete with stamp and postmark. The emotional range here is slightly broader than in the first book: where Quit was largely indignant, the missing crayons have a vein of genuine wistfulness alongside the absurdity. Children who loved the epistolary format of the original will find the postcard premise equally satisfying, and the rescue plot, Duncan has to go and find each one, adds a quest structure that the first book's workplace drama didn't have. Jeffers' visual comedy remains the essential partner to Daywalt's writing, and the book earns its place as a worthy sequel rather than a rehash.

Fit check

Right for your child?

Where it lands by age

  • 1
  • 3
  • 5
  • 7
  • 9
  • 11
  • 13
  • Best fit · 3–7
  • Read aloud · 3–8
  • Independent · 5–8

Prose load

Moderate

Visual support

Very high

Reluctant-reader friendly

Very

Read-aloud quality

Excellent

Works well for

  • Reading aloud
  • Reading together
  • Reluctant readers
Low sensitivityNo content warnings

Nothing in the book is likely to concern most parents. Safe to recommend without preview.

Bedtime suitability

3 / 5 · Workable

Sensitive-child

4 / 5 · Good fit

Graphic intensity

1 / 5 · None

Best for

  • Laugh out loud
  • Discussion starter
  • Gift book
  • Read aloud performance
  • Art lovers

Avoid if

No common reasons to avoid this one — a rare clean sweep on the sensitivity flags.

Particularly good for children who are…

  • Interested in art and creativity
  • Reluctant reader
  • Anger management

In the classroom

How it works in school.

More from the Crayons — funny read-alouds whose letters and complaints model persuasion and writing in a distinct voice.

Classroom role

  • Read aloud
  • Writing inspiration
  • Discussion and empathy

Good for teaching

  • Persuasive writing
  • Point of view

A book children love that happens to support school — never a stand-in for the texts a class is taught with. Reviewed for the classroom · June 2026.

Why it lands

Why they love it.

Why kids love it

The specific charm is the postcards — each lost crayon writing in from increasingly tragic locations (Maroon under the sofa, Tan dragged round Egypt in a holiday bag), the format giving each one a distinct illustrated voice. A five-year-old gets the satisfying weirdness of objects with feelings about being abandoned.

  • Trickery and cleverness
  • Making a difference
  • Having a nemesis
  • Friendship and belonging

Why parents love it

The Crayons sequel that earns its place — postcard format gives each crayon a distinct visual register, the gags sharper than the original, the rescue-quest plot pulling the book along. Daywalt and Jeffers in full swing. Reliable repeat read-aloud.

  • Shared humour
  • Conversation starter
  • Quick to read
  • Great writing

In the series

The Crayons.

3 books · open the series →

About the creators

About the creators.

DD

Drew Daywalt

Writer · United States

Drew Daywalt is an American author known primarily for The Day the Crayons Quit (2013) and its sequels The Day the Crayons Came Home and The Crayons' Book of Colors, all illustrated by Oliver Jeffers. The Crayons series is built on a deceptively simple high-concept, a box of crayons writes letters to their owner complaining about how they're being used, which Daywalt mines for steady character humour, gentle subversion and read-aloud bounce. Before children's books, Daywalt worked in horror screenwriting; the picture-book voice is funnier and warmer but retains a sharp sense of structure. The Crayons titles have been multiple-year picture-book bestsellers and remain a giftable, dependable hit for ages 3–7.

More from Drew Daywalt
OJ

Oliver Jeffers

Illustrator · United Kingdom · b. 1977

Oliver Jeffers is a Northern Irish artist and picture-book maker, born in Australia in 1977 and raised in Belfast, whose hand-lettered, slightly melancholic style has become one of the defining visual voices in twenty-first-century children's publishing. He both writes and illustrates the majority of his work, with breakthrough titles including Lost and Found, How to Catch a Star, Stuck, The Heart and the Bottle, Here We Are: Notes for Living on Planet Earth, and Once Upon an Alphabet. He also collaborates with Drew Daywalt as illustrator on The Day the Crayons Quit series. Jeffers' picture books are warm without being sentimental, philosophical without being heavy, and reward repeated reading. A reliable hit for families who want artful, quietly thoughtful picture books with real emotional weight.

More from Oliver Jeffers

If you liked this

Three ways out of this book.

Come into this from…

Easier or preparing reads — perfect lead-ins.

Where to go next…

Escalation reads — a step up in scale, silliness, or stakes.

Buy or borrow

Pick up a copy.

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Last reviewed · April 2026Suggest a correctionHow we recommend

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