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Cover of Goodnight, Crayons
Picture · ages 2–6

Goodnight, Crayons

Written by Drew Daywalt · Illustrated by Oliver Jeffers

Part of the The Crayons universeOpen the collection

The crayons are going to sleep, and they have opinions about that too. A bedtime companion to the main Crayons books, with each colour settling down in its own distinctive way. Low-key and cosy while still delivering the franchise's comic voice.

  • Best for2–6
  • FormatPicture
  • Length40 pp
  • Read aloud~8 min
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The vibe

What it’s like.

Style

  • Conversational
  • Comedic
  • Lyrical

Tone

  • Funny
  • Warm
  • Silly
  • Cosy

Themes

On the pagebedtime, colour, crayon, night, sleep

Experience meters

Energy2/ 5
Humour3/ 5
Scariness1/ 5
Peril1/ 5
Wonder2/ 5
Cosiness5/ 5
Emotional intensity1/ 5
Conceptual intensity1/ 5

What’s it about?

The story.

The Crayons franchise gets a bedtime book, and the conceit suits it perfectly: each crayon approaches sleep the way only they would. Red crayon needs to wind down after an exhausting day of passion and Valentine's Day cards. Glow-in-the-Dark crayon has the advantage at night. White crayon, typically invisible on white paper, finally gets to shine in the dark. The riffing on each colour's established personality continues to be the engine of the comedy, and the quieter format, shorter text, lower energy, no epistolary demands, makes this ideal for reading aloud at the end of the day. The Goodnight Moon structure (a classic for a reason) gives the book its rhythm, and Jeffers' visual deadpan keeps it from going saccharine. A good gift alongside the main series, or a standalone choice for adults who want a bedtime book that won't bore them on the fifteenth reading.

Fit check

Right for your child?

Where it lands by age

  • 1
  • 3
  • 5
  • 7
  • 9
  • 11
  • 13
  • Best fit · 2–6
  • Read aloud · 2–7
  • Independent · 5–7

Prose load

Light

Visual support

Very high

Reluctant-reader friendly

Very

Read-aloud quality

Strong

Works well for

  • Reading aloud
  • Bedtime
  • Reading together
  • Reluctant readers
Low sensitivityNo content warnings

Nothing in the book is likely to concern most parents. Safe to recommend without preview.

Bedtime suitability

5 / 5 · Bedtime-friendly

Sensitive-child

4 / 5 · Good fit

Graphic intensity

1 / 5 · None

Best for

  • Bedtime book
  • Gift book
  • Warm and cosy
  • Art lovers
  • Read aloud

Avoid if

No common reasons to avoid this one — a rare clean sweep on the sensitivity flags.

Particularly good for children who are…

  • Reluctant reader
  • Interested in art and creativity

In the classroom

How it works in school.

A cosy bedtime Crayons read-aloud — a gentle, funny wind-down for the youngest.

Classroom role

  • Read aloud

A book children love that happens to support school — never a stand-in for the texts a class is taught with. Reviewed for the classroom · June 2026.

Why it lands

Why they love it.

Why kids love it

The specific delight is each crayon at bedtime — Red exhausted, Glow-in-the-Dark finally in their element, White still mostly invisible. The Goodnight Moon shape transposed onto the Crayons cast, each colour winding down their own way.

  • Cosy safety
  • Friendship and belonging

Why parents love it

The Crayons at bedtime — quieter format, lower energy, the Goodnight Moon rhythm under the franchise's comic voice. Useful as a calming bedtime slot-in for fans; one of those bedtime books that doesn't bore a parent on the fifteenth reading.

  • Shared humour
  • Quick to read
  • Bedtime appropriate

About the creators

About the creators.

DD

Drew Daywalt

Writer · United States

Drew Daywalt is an American author known primarily for The Day the Crayons Quit (2013) and its sequels The Day the Crayons Came Home and The Crayons' Book of Colors, all illustrated by Oliver Jeffers. The Crayons series is built on a deceptively simple high-concept, a box of crayons writes letters to their owner complaining about how they're being used, which Daywalt mines for steady character humour, gentle subversion and read-aloud bounce. Before children's books, Daywalt worked in horror screenwriting; the picture-book voice is funnier and warmer but retains a sharp sense of structure. The Crayons titles have been multiple-year picture-book bestsellers and remain a giftable, dependable hit for ages 3–7.

More from Drew Daywalt
OJ

Oliver Jeffers

Illustrator · United Kingdom · b. 1977

Oliver Jeffers is a Northern Irish artist and picture-book maker, born in Australia in 1977 and raised in Belfast, whose hand-lettered, slightly melancholic style has become one of the defining visual voices in twenty-first-century children's publishing. He both writes and illustrates the majority of his work, with breakthrough titles including Lost and Found, How to Catch a Star, Stuck, The Heart and the Bottle, Here We Are: Notes for Living on Planet Earth, and Once Upon an Alphabet. He also collaborates with Drew Daywalt as illustrator on The Day the Crayons Quit series. Jeffers' picture books are warm without being sentimental, philosophical without being heavy, and reward repeated reading. A reliable hit for families who want artful, quietly thoughtful picture books with real emotional weight.

More from Oliver Jeffers

If you liked this

Three ways out of this book.

Come into this from…

Easier or preparing reads — perfect lead-ins.

Where to go next…

Escalation reads — a step up in scale, silliness, or stakes.

Buy or borrow

Pick up a copy.

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Last reviewed · April 2026Suggest a correctionHow we recommend

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